Trans cover art

  Studio Album · No. 12

Trans Songwriting Credits by Neil Young

1982 9 tracks 40 min
ElectronicSynth-popRock
100%
Authorship
Complete Artist

Holds writing credit on 9 of 9 tracks

Authorship Breakdown 9 / 9 documented

Who wrote the songs?

Scored across the 9 tracks with documented writers, by whether Neil Young carries a lyricist or composer credit.

100%
9 trackswritten by Neil Young 0 tracksoutside writers
Neil Young's roles on this album

Share of the 9 tracks where a band member is credited, by role.

Lyricist100%
Composer100%
Producer100%
Performer100%

By the Numbers

9
Tracks
1
Lyricists
3
Producers
1982
Released
Data Insight

Trans is Neil Young's most divisive studio statement, a synth and vocoder record that opened his troubled tenure with Geffen Records. Young wrote every song on the album, including "Mr. Soul," a synthesized re-recording of the Buffalo Springfield song he had penned years earlier. The vocoder treatments that obscure his voice across tracks like "Computer Age," "We R in Control," and "Transformer Man" grew directly out of his work with his son Ben, who was born with cerebral palsy and communicated through assistive technology, so the listener hears Young saying something they cannot quite decode. Geffen so disliked the record's uncommercial bent that the label later sued Young for delivering work it considered unrepresentative.

"Trans" is the 1983 album by Neil Young, an electronic and synth-pop record that prominently features a Sennheiser vocoder on six of its nine tracks. It includes "Computer Age," "Transformer Man," "Sample and Hold," "We R in Control," and a reworking of the Buffalo Springfield song "Mr. Soul." Young produced the album with David Briggs and Tim Mulligan, backed by Nils Lofgren, Ben Keith, Frank Sampedro, Ralph Molina, and bassists Bruce Palmer and Billy Talbot. The heavily digital sound reflected Young's experience communicating with his son Ben, who had cerebral palsy, with Young noting it captured the same feeling he got from his son. It peaked at number 19 on the Billboard 200 and prompted a 1983 lawsuit from Geffen Records over its uncommercial nature, though later critics reassessed it as prescient electronic music.

Track Listing & Credits 9 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
Little Thing Called Love #71
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
2
Computer Age
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
3
We R in Control
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
4
Transformer Man
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
5
Computer Cowboy (aka Syscrusher)
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
6
Hold On to Your Love
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
7
Sample and Hold
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
8
Mr. Soul
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)
9
Like an Inca
Neil Percival Young Neil Percival Young Neil YoungDavid BriggsTim Mulligan Neil Young (Lead Vocals, Guitar)

Songwriter & Credit Spotlight 4 contributors

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Frequently Asked Questions Trans

When was Neil Young's Trans released and on what label?
Trans was released on January 10, 1983, by Geffen Records. It was Young's first studio album for Geffen after leaving Reprise, and it reached number 19 on the Billboard 200.
Why does Neil Young use a vocoder so heavily on Trans?
The processed, robotic vocals grew out of Young's experience communicating with his son Ben, who was born with cerebral palsy and used assistive technology to interact. Young said the vocoder captured the feeling of knowing someone is saying something while being unable to understand the words. The effect appears on tracks including "Computer Age," "We R in Control," and "Transformer Man."
Who wrote the songs on Trans?
Neil Young wrote all nine songs on Trans himself. That includes "Mr. Soul," which is a new synthesizer-driven re-recording of a song Young had originally written and recorded with Buffalo Springfield in the 1960s.
What is "Transformer Man" by Neil Young about?
"Transformer Man" is widely understood as a tribute to Young's son Ben and the switch-activated devices that let him interact with the world. Young built assistive controls, including a modified train-set controller operated by head switches, and the song's imagery of buttons and connection reflects that. It later became one of the album's most enduring and frequently revisited tracks.
Is "Mr. Soul" on Trans the same song as the Buffalo Springfield original?
Yes. "Mr. Soul" was written by Neil Young and first recorded with Buffalo Springfield in the 1960s. The version on Trans is a reworked recording built around synthesizers and electronic textures rather than the original guitar arrangement.
Why did Geffen Records sue Neil Young over Trans and his other early Geffen albums?
Geffen filed a lawsuit accusing Young of delivering deliberately uncommercial and unrepresentative music, with Trans and the later Everybody's Rockin' cited as examples. The dispute was eventually dropped, and label founder David Geffen personally apologized to Young.
Did Trans produce any hit singles for Neil Young?
"Little Thing Called Love" was the lead single and reached number 71 on the Billboard Hot 100. "Mr. Soul" and a "Sample and Hold" pairing were also issued as singles, but none of them became major hits.
What is "Computer Cowboy (AKA Syscrusher)" on Neil Young's Trans?
"Computer Cowboy (AKA Syscrusher)" is a Young-written track that fuses his country-rock sensibility with the album's computer-age theme, casting a cowboy figure as a system-crushing hacker. The dual title reflects that pairing of frontier imagery with early digital culture.
Was Trans a commercial success for Neil Young?
Trans reached number 19 on the Billboard 200 and charted across Europe, but it was considered a commercial and critical disappointment at the time and was not certified gold or platinum in the United States. Its reputation has improved over the decades as listeners revisited its prescient electronic sound.

Sources