Studio Album · No. 9
Blood Sweat and Tears Songwriting Credits by Johnny Cash
Produced by Don Law
Holds writing credit on 3 of 10 tracks
Authorship Breakdown 3 / 10 documented
Scored across the 10 tracks with documented writers, by whether Johnny Cash carries a lyricist or composer credit.
Share of the 10 tracks where a band member is credited, by role.
By the Numbers
Blood, Sweat and Tears is a concept album about the American working man, mixing Cash originals with folk and traditional labor songs. Cash wrote or co-wrote three tracks: 'Tell Him I'm Gone' on his own, the epic eight-minute 'The Legend of John Henry's Hammer' with June Carter, and a co-credit on 'Another Man Done Gone.' The remaining songs draw on outside and traditional sources, including Harlan Howard's single 'Busted,' Merle Travis' 'Nine Pound Hammer,' Jimmie Rodgers' 'Waiting for a Train,' and the traditional 'Casey Jones' arranged by Cash.
Blood, Sweat and Tears is the eighth studio album by Johnny Cash, released in 1963 on Columbia Records and produced by Don Law, a concept album addressing the experience of American working men and women, organized around themes of physical labor, pride, and endurance, and reflecting the folk revival's engagement with working-class subject matter in the early 1960s. Cash wrote or co-wrote several tracks; 'The Legend of John Henry's Hammer', an extended narrative about the mythological steel-driving man, is the album's central piece, running over eight minutes and demonstrating Cash's ability to sustain the folk ballad form across a length that exceeds conventional radio-formatted songwriting. The album also includes 'Busted' (Harlan Howard), which would become one of the most covered country songs of the decade, and 'Casey Jones,' a reinterpretation of the railroad disaster ballad that aligned Cash with the American folk tradition of historical narrative song. Blood, Sweat and Tears reached the top ten on the Billboard Country Albums chart and reflects Cash's consistent engagement with American labor history and the folk documentary tradition that was simultaneously being explored by Bob Dylan, Pete Seeger, and others on the opposite coast. The album demonstrates the range of Cash's Columbia period: gospel (Hymns), historical narrative (Ride This Train), and labor folk (Blood, Sweat and Tears) all addressed in rapid succession.
Track Listing & Credits 10 tracks
| # | Title | Lyricist(s) | Composer(s) | Producer(s) | Performers |
|---|---|---|---|---|---|
| 1 |
The Legend of John Henry's Hammer
|
Johnny CashJune Carter Cash | Johnny CashJune Carter Cash | Don Law | Johnny Cash (Vocals, Guitar) |
| 2 |
Casey Jones
|
T. Lawrence SeibertEddie Newton | T. Lawrence SeibertEddie Newton | Don Law | Johnny Cash (Vocals, Guitar) |
| 3 |
Nine Pound Hammer
|
Merle Travis | Merle Travis | Don Law | Johnny Cash (Vocals, Guitar) |
| 4 |
Another Man Done Gone
|
Vera HallAlan LomaxJohn LomaxRuby TarttJohnny Cash | Vera HallAlan LomaxJohn LomaxRuby TarttJohnny Cash | Don Law | Johnny Cash (Vocals, Guitar) |
| 5 |
Busted
#13
|
Harlan Howard | Harlan Howard | Don Law | Johnny Cash (Vocals, Guitar) |
| 6 |
Tell Him I'm Gone
|
Johnny Cash | Johnny Cash | Don Law | Johnny Cash (Vocals, Guitar) |
| 7 |
In Them Old Cottonfields Back Home
|
Huddie Ledbetter | Huddie Ledbetter | Don Law | Johnny Cash (Vocals, Guitar) |
| 8 |
Waiting for a Train
|
Jimmie Rodgers | Jimmie Rodgers | Don Law | Johnny Cash (Vocals, Guitar) |
| 9 |
Chain Gang
|
Harlan Howard | Harlan Howard | Don Law | Johnny Cash (Vocals, Guitar) |
| 10 |
Born to Be a Roughneck
|
Sheb Wooley | Sheb Wooley | Don Law | Johnny Cash (Vocals, Guitar) |