The Genius of Ray Charles cover art

  Studio Album · No. 4

The Genius of Ray Charles Songwriting Credits by Ray Charles

1959 Atlantic 12 tracks 37 min

Produced by Ahmet Ertegun, Jerry Wexler  ·  Engineered by Bill Schwartau (recording), Tom Dowd (recording)

Atlantic Swing PopR&BJazz
0%
Authorship
Singer / Performer

Holds writing credit on 0 of 12 tracks

Authorship Breakdown 0 / 12 documented

Who wrote the songs?

Scored across the 12 tracks with documented writers, by whether Ray Charles carries a lyricist or composer credit.

0%
0 trackswritten by Ray Charles 12 tracksoutside writers
Ray Charles's roles on this album

Share of the 12 tracks where a band member is credited, by role.

Lyricist0%
Composer0%
Producer0%
Performer100%

By the Numbers

12
Tracks
14
Lyricists
2
Producers
1959
Released

Awards & Recognition 2

Grammy Award for Best Vocal Performance Album, Male (1961)
Grammy Award for Best Rhythm and Blues Performance (1961)
Data Insight

The Genius of Ray Charles arrived at a turning point: it was the last album Charles recorded for Atlantic before his move to ABC-Paramount, and it was also his most deliberately ambitious. Atlantic split the album across two distinct halves: orchestrated pop ballads with full arrangements from Marty Paich on one side, and blues-driven R&B tracks with the Count Basie rhythm section on the other. The result was the first coherent argument for Charles as an all-genre artist, not just an R&B hitmaker. Engineered by Tom Dowd and Bill Schwartau, the sessions won Charles two Grammy Awards at the 3rd Grammy ceremony in 1961: Best Vocal Performance Album, Male for the album itself, and Best Rhythm and Blues Performance for "Let the Good Times Roll."

The Genius of Ray Charles is a studio album by Ray Charles, released in October 1959 on Atlantic Records and produced by Ahmet Ertegun and Jerry Wexler, the album that gave Charles the title 'The Genius,' a designation that Wexler applied and that stuck as the defining characterization of his musical intelligence. The album is split between two sides with distinct approaches: a big band side with arrangements by Ralph Burns and Quincy Jones, and a strings-and-voices side with arrangements by Ralph Burns, demonstrating Charles's ability to inhabit both jazz orchestral and pop-orchestral contexts with equal authority. Charles did not write the majority of the material, drawing from American standards and popular songs as well as blues originals; 'Don't Let the Sun Catch You Crying' and 'Tell Me You'll Wait for Me' are among the principal tracks. The Quincy Jones arrangements, representing one of the earliest professional collaborations between two of the 20th century's most significant musicians, give the big band side a particular sonic ambition that looks forward to the Jones-Charles collaborations that would produce Genius + Soul = Jazz in 1961. The Genius of Ray Charles reached the top twenty on the Billboard Pop Albums chart and was the last Charles album on Atlantic before his move to ABC-Paramount in 1959.

Track Listing & Credits 12 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
Let the Good Times Roll
Sam TheardFleecie Moore Sam TheardFleecie Moore Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
2
It Had to Be You
Gus Kahn Isham Jones Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
3
Alexander's Ragtime Band
Irving Berlin Irving Berlin Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
4
Two Years of Torture
Percy MayfieldCharles Joseph Morris Percy MayfieldCharles Joseph Morris Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
5
When Your Lover Has Gone
Einar Aaron Swan Einar Aaron Swan Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
6
'Deed I Do
Walter Hirsch Fred Rose Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
7
Just for a Thrill
Don Raye Lil Hardin Armstrong Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
8
You Won't Let Me Go
Bud Allen Buddy Johnson Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
9
Tell Me You'll Wait for Me
Charles Brown Oscar Moore Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
10
Don't Let the Sun Catch You Crying
Joe Greene Joe Greene Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
11
Am I Blue?
Grant Clarke Harry Akst Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
12
Come Rain or Come Shine
Johnny Mercer Harold Arlen Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)

Songwriter & Credit Spotlight 24 contributors

More from Ray Charles

Frequently Asked Questions The Genius of Ray Charles

What Grammy Awards did Ray Charles win for The Genius of Ray Charles?
The Genius of Ray Charles won two Grammy Awards at the 3rd Grammy Awards in 1961: Best Vocal Performance Album, Male (for the album) and Best Rhythm and Blues Performance (for "Let the Good Times Roll").
Who engineered The Genius of Ray Charles?
The Genius of Ray Charles was engineered by Bill Schwartau and Tom Dowd at Atlantic Records.
How is The Genius of Ray Charles structured across its two halves?
The album is divided into two distinct halves: the first features orchestrated pop and jazz ballads with full string arrangements, while the second features blues and R&B tracks performed with a smaller ensemble including members of the Count Basie rhythm section.
Which single from The Genius of Ray Charles won the Grammy for Best Rhythm and Blues Performance?
"Let the Good Times Roll" won the Grammy Award for Best Rhythm and Blues Performance at the 3rd Grammy Awards in 1961. The song appeared on The Genius of Ray Charles and was released as a single in 1959.
Was The Genius of Ray Charles Ray Charles's last Atlantic album?
Yes. The Genius of Ray Charles (1959) was his final album for Atlantic Records before he signed with ABC-Paramount, where he had greater creative control and a higher royalty rate. His ABC-Paramount debut was The Genius Hits the Road (1960).
Who arranged the orchestral tracks on The Genius of Ray Charles?
The orchestral pop and jazz ballads on The Genius of Ray Charles were arranged by Marty Paich. Jerry Wexler and Nesuhi Ertegun produced the album.

Sources