Studio Album · No. 9
Ingredients in a Recipe for Soul Songwriting Credits by Ray Charles
Produced by Sid Feller
Holds writing credit on 0 of 10 tracks
Authorship Breakdown 0 / 10 documented
Scored across the 10 tracks with documented writers, by whether Ray Charles carries a lyricist or composer credit.
Share of the 10 tracks where a band member is credited, by role.
By the Numbers
Ingredients in a Recipe for Soul was Ray Charles's first ABC-Paramount album to fully lean into soul's emerging vocabulary rather than the country-pop crossover approach of the Modern Sounds volumes. Produced by Sid Feller with arrangements from Benny Carter, Marty Paich, and Johnny Parker, the album reached #2 on the Billboard Top LPs chart and remained on the chart for 36 weeks. The twelve tracks blend R&B, country soul, and vocal jazz in a format built from Charles's ability to move between emotional registers in a single phrase. No major Hot 100 singles emerged, but as an album performance it was one of his most sustained: less driven by chart hits and more by the complete arc he and Feller had developed across the early ABC albums.
Ingredients in a Recipe for Soul is a studio album by Ray Charles, released in September 1963 on ABC-Paramount Records and produced by Sid Feller, a return to the soul and gospel territory of Charles's Atlantic period after the two country-and-western volumes, with material that draws on the Baptist hymn and spiritual tradition alongside secular material, organized around the metaphor of cooking as spiritual practice. Charles did not write the majority of the tracks; the album includes 'Busted' (Harlan Howard, the same song appearing simultaneously on Johnny Cash's Blood, Sweat and Tears), 'That Lucky Old Sun,' 'Of Man River,' and 'In the Evening (When the Sun Goes Down).' 'Busted' reached number four on the Billboard Hot 100 and the album itself reached the top ten on the Pop Albums chart, demonstrating that Charles's post-Modern Sounds commercial standing was sufficiently strong to sustain albums in any of his three primary genres, soul, jazz, and country, at comparable commercial levels. The album is regarded as one of the more consistent expressions of Charles's mature soul-gospel approach and one of the cleaner statements of the recipe-as-spiritual-metaphor framework that structured his ABC-Paramount period. The album's commercial success in the year following the two Modern Sounds volumes confirmed that Charles's audience was sufficiently large and diversified to support him across multiple genre categories simultaneously, a commercial range that no other American popular artist of the period, with the possible exception of Frank Sinatra, had demonstrated with comparable consistency.
Track Listing & Credits 10 tracks
| # | Title | Lyricist(s) | Composer(s) | Producer(s) | Performers |
|---|---|---|---|---|---|
| 1 |
Busted
|
Harlan Howard | Harlan Howard | Sid Feller | Ray Charles (Vocals, Piano) |
| 2 |
Where Can I Go?
|
Leo FuldSigmund BerlandSonny Miller | Leo FuldSigmund BerlandSonny Miller | Sid Feller | Ray Charles (Vocals, Piano) |
| 3 |
Born to Be Blue
|
Robert Wells | Mel Torme | Sid Feller | Ray Charles (Vocals, Piano) |
| 4 |
That Lucky Old Sun
|
Haven Gillespie | Beasley Smith | Sid Feller | Ray Charles (Vocals, Piano) |
| 5 |
Ol' Man River
|
Oscar Hammerstein II | Jerome Kern | Sid Feller | Ray Charles (Vocals, Piano) |
| 6 |
In the Evening (When the Sun Goes Down)
|
Leroy Carr | Leroy Carr | Sid Feller | Ray Charles (Vocals, Piano) |
| 7 |
A Stranger in Town
|
Mel Torme | Mel Torme | Sid Feller | Ray Charles (Vocals, Piano) |
| 8 |
Ol' Man Time
|
Cliff Friend | Cliff Friend | Sid Feller | Ray Charles (Vocals, Piano) |
| 9 |
Over the Rainbow
|
E.Y. Harburg | Harold Arlen | Sid Feller | Ray Charles (Vocals, Piano) |
| 10 |
You'll Never Walk Alone
|
Oscar Hammerstein II | Richard Rodgers | Sid Feller | Ray Charles (Vocals, Piano) |