Ray Charles cover art

  Studio Album · No. 1

Ray Charles Songwriting Credits by Ray Charles

1957 Atlantic 14 tracks 41 min

Produced by Ahmet Ertegun, Jerry Wexler

Atlantic R&BSoulBlues
64%
Authorship
Songwriter

Holds writing credit on 9 of 14 tracks

Authorship Breakdown 9 / 14 documented

Who wrote the songs?

Scored across the 14 tracks with documented writers, by whether Ray Charles carries a lyricist or composer credit.

64%
9 trackswritten by Ray Charles 5 tracksoutside writers
Ray Charles's roles on this album

Share of the 14 tracks where a band member is credited, by role.

Lyricist64%
Composer64%
Producer0%
Performer100%

By the Numbers

14
Tracks
7
Lyricists
2
Producers
1957
Released
Data Insight

Ray Charles's debut Atlantic LP arrived in the summer of 1957 as effectively a greatest-hits survey of his early career. Eleven of the fourteen tracks had already been top-ten R&B singles, including "I Got a Woman," the 1954 recording that bridged gospel ecstasy and secular blues and invented a new way to feel rhythm and blues. Unlike most debut LPs of the era, which presented an artist trying to establish themselves, this collection arrived when Charles was already a proven commercial force. Produced by Ahmet Ertegun and Jerry Wexler, whose hands-off approach let Charles arrange and direct his own sessions, the album holds its blueprint role in his catalog: the document of his Atlantic apprenticeship, before he crossed into mainstream pop and country.

Ray Charles is the first major studio album by Ray Charles, released in 1957 on Atlantic Records and produced by Ahmet Ertegun and Jerry Wexler, the album that established Charles as the defining voice of soul music by fusing gospel vocal technique with secular rhythm and blues subject matter, a synthesis that was considered theologically transgressive by the gospel community but commercially and artistically revolutionary in the broader popular music world. Charles wrote and arranged several tracks; the album includes 'The Sun's Gonna Shine Again,' 'Hallelujah I Love Her So,' 'What Would I Do Without You,' and 'I Found My Baby,' drawing on the blues and jump blues tradition that Charles had absorbed in Florida and Georgia in the late 1940s. The core innovation, applying the shouting, call-and-response, and bluesy ornamentation of church singing to explicitly romantic and secular content, was the direct invention of soul music as a genre and influenced every subsequent soul and R&B artist. Charles's piano playing, which combined the jazz vocabulary he had developed through his work with Lowell Fulson and The McSon Trio with the gospel organ-style approach he had absorbed from church music, gave the performances a rhythmic and harmonic sophistication that distinguished them from conventional R&B piano of the period. The album is the foundational document of soul music and one of the most important albums in the history of American popular music.

Track Listing & Credits 14 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
Ain't That Love
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
2
Drown in My Own Tears
Henry Glover Henry Glover Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
3
Come Back Baby
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
4
Sinner's Prayer
Lloyd GlennLowell Fulson Lloyd GlennLowell Fulson Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
5
Funny (But I Still Love You)
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
6
Losing Hand
Charles E. Calhoun Charles E. Calhoun Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
7
A Fool for You
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
8
Hallelujah I Love Her So
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
9
Mess Around
A. Nugetre A. Nugetre Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
10
This Little Girl of Mine
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
11
Mary Ann
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
12
Greenbacks
Renald Richard Renald Richard Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
13
Don't You Know
Ray Charles Ray Charles Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)
14
I Got a Woman
Ray CharlesRenald Richard Ray CharlesRenald Richard Ahmet ErtegunJerry Wexler Ray Charles (Vocals, Piano)

Songwriter & Credit Spotlight 9 contributors

More from Ray Charles

Frequently Asked Questions Ray Charles

When did Ray Charles release his debut album on Atlantic Records?
Ray Charles released his self-titled debut album on Atlantic Records in June 1957. Most of its fourteen tracks had already been released as singles between 1953 and 1957.
What was the significance of "I Got a Woman" on Ray Charles's debut Atlantic album?
"I Got a Woman" (first released as a single in November 1954) is considered the track that invented soul music, fusing gospel arrangement and vocal intensity with secular lyrics about romantic desire. It opens the 1957 debut album and set the template for everything Charles recorded afterward.
Who produced the Ray Charles debut album from 1957?
The album was produced by Ahmet Ertegun and Jerry Wexler at Atlantic Records. Both allowed Charles wide latitude to serve as his own arranger and musical director during the sessions.
Was the Ray Charles 1957 album an original studio album or a singles compilation?
It was a compilation of previously released Atlantic singles. Eleven of the fourteen tracks had been top-ten R&B hits before the LP was assembled. In the 1950s, major labels routinely packaged hit singles into LP collections rather than recording new material for album releases.
How many tracks on the 1957 Ray Charles album had previously charted on the R&B chart?
Eleven of the fourteen tracks had been top-ten R&B chart hits before the album was released.
What label released Ray Charles's 1957 debut album?
Atlantic Records released the debut album in 1957. Charles had recorded for Atlantic since 1952, and the LP collected the highlights of that five-year run.

Sources