Shout at the Devil cover art

  Studio Album · No. 2

Shout at the Devil Songwriting Credits by Motley Crue

1983 Elektra Records 11 tracks 35 min

Produced by Tom Werman  ·  Engineered by Geoff Workman

Elektra Records Heavy MetalGlam MetalHard Rock
82%
Authorship
Artist

Holds writing credit on 9 of 11 tracks

Authorship Breakdown 9 / 11 documented

Who wrote the songs?

Scored across the 11 tracks with documented writers, by whether Motley Crue carries a lyricist or composer credit.

82%
9 trackswritten by Motley Crue 2 tracksoutside writers
Motley Crue's roles on this album

Share of the 11 tracks where a band member is credited, by role.

Lyricist73%
Composer82%
Producer0%
Performer100%

By the Numbers

11
Tracks
4
Lyricists
1
Producers
1983
Released
Data Insight

Shout at the Devil keeps Nikki Sixx at the center of the writing while opening up the music credits to the full band: several tracks add Mick Mars and Vince Neil on the music side, and Mars wrote the instrumental 'God Bless the Children of the Beast.' The lone outside song is the Beatles cover 'Helter Skelter,' credited to Lennon-McCartney, the only track here no member wrote.

Shout at the Devil is the second studio album by Motley Crue, released by Elektra in September 1983 and the record that turned them into national stars. Heavier and darker than their debut, with a tougher production from Tom Werman, it leaned into theatrical, devilish imagery that drew both attention and controversy. Nikki Sixx wrote the bulk of the material, with the band sharing music credits on several tracks, and the album included a hard-charging cover of the Beatles' 'Helter Skelter.' Singles like the title track and 'Looks That Kill' became staples, and the album was certified multi-platinum.

Track Listing & Credits 11 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
In the Beginning
Not documented Geoff Workman Tom Werman Allister Fiend (Narration)
2
Shout at the Devil
Nikki Sixx Frank Carlton Serafino Feranna Jr. Tom Werman Vince Neil (Lead Vocals)
3
Looks That Kill #54
Nikki Sixx Frank Carlton Serafino Feranna Jr. Tom Werman Vince Neil (Lead Vocals)
4
Bastard
Nikki Sixx Frank Carlton Serafino Feranna Jr. Tom Werman Vince Neil (Lead Vocals)
5
God Bless the Children of the Beast
Not documented Robert Alan Deal Tom Werman -
6
Helter Skelter
John LennonPaul McCartney John LennonPaul McCartney Tom Werman Vince Neil (Lead Vocals)
7
Red Hot
Nikki Sixx Frank Carlton Serafino Feranna Jr.Robert Alan DealVincent Neil Wharton Tom Werman Vince Neil (Lead Vocals)
8
Too Young to Fall in Love
Nikki Sixx Frank Carlton Serafino Feranna Jr. Tom Werman Vince Neil (Lead Vocals)
9
Knock 'em Dead, Kid
Nikki Sixx Frank Carlton Serafino Feranna Jr.Vincent Neil Wharton Tom Werman Vince Neil (Lead Vocals)
10
Ten Seconds to Love
Nikki SixxVince Neil Frank Carlton Serafino Feranna Jr. Tom Werman Vince Neil (Lead Vocals)
11
Danger
Nikki Sixx Frank Carlton Serafino Feranna Jr.Robert Alan DealVincent Neil Wharton Tom Werman Vince Neil (Lead Vocals)

Songwriter & Credit Spotlight 10 contributors

More from Motley Crue

Frequently Asked Questions Shout at the Devil

Who wrote Shout at the Devil?
Nikki Sixx wrote the bulk of the album, with the band sharing music credits on several songs and Mick Mars writing the instrumental 'God Bless the Children of the Beast.' 'Helter Skelter' is a Beatles cover.
Is there a cover song on Shout at the Devil?
Yes. The band recorded a heavy version of the Beatles' 'Helter Skelter,' written by John Lennon and Paul McCartney.
Who produced Shout at the Devil?
It was produced by Tom Werman, who gave the band a tougher, heavier sound than their debut.
Why was the album controversial?
Its devilish title and imagery drew accusations of satanic themes, which helped fuel the band's notoriety and its sales.
What are the hit songs on the album?
The title track 'Shout at the Devil' and 'Looks That Kill' became enduring staples of the band's live show.
How well did Shout at the Devil sell?
It is certified four-times platinum in the United States, the album that broke the band nationally.

Sources