Studio Album · No. 9
Concrete and Gold Songwriting Credits by Foo Fighters
Produced by Greg Kurstin, Foo Fighters · Engineered by Darrell Thorp (engineering, mixing), Alex Pasco (engineering), Julian Burg (engineering), David Ives (mastering)
Holds writing credit on 11 of 11 tracks
Authorship Breakdown 11 / 11 documented
Scored across the 11 tracks with documented writers, by whether Foo Fighters carries a lyricist or composer credit.
Share of the 11 tracks where a band member is credited, by role.
By the Numbers
Concrete and Gold was produced by Greg Kurstin and Foo Fighters, with Darrell Thorp handling engineering and mixing alongside Alex Pasco, Julian Burg, Samon Rajabnik, and Brendan Dekora as additional engineers, and David Ives mastering. It is the first Foo Fighters album produced by Kurstin, the band's collaborator on Medicine at Midnight (2021) and But Here We Are (2023) as well. It debuted at number one on the Billboard 200 with 127,000 album-equivalent units and includes guest performances from Paul McCartney (drums on "Sunday Rain") and Justin Timberlake (background vocals on "Make It Right").
Concrete and Gold is the ninth studio album by Foo Fighters, released in September 2017 on RCA/Roswell Records and produced by Greg Kurstin. It is the most sonically diverse album of the band's catalog, drawing on the widest range of production approaches and featuring guest appearances from Paul McCartney (drums on 'Sunday Rain') and Justin Timberlake (backing vocals). Grohl wrote all material; the album's production by Kurstin (who had recently produced Adele's 25 and Sia's '1000 Forms of Fear') brought a pop production sensibility to the band's rock foundation that generated mixed reactions from longtime fans while expanding the album's commercial accessibility. 'Run,' 'Make It Right,' and 'The Sky Is a Neighborhood' were the principal tracks; the album debuted at number one on the Billboard 200 with 117,000 first-week units, the band's first number-one album in the United States. Concrete and Gold has been certified platinum and represents one of the more commercially adventurous production decisions in the band's catalog, a willingness to work with a pop producer and integrate pop production techniques while maintaining the rock energy of the core material. The album's number-one debut, the band's first in the United States, represented a commercial milestone that confirmed their ability to generate peak commercial results nearly a quarter-century into their career, and the Kurstin collaboration's mixed reception demonstrated the creative risks inherent in importing pop production sensibilities into a band whose identity was rooted in a specifically rock-oriented aesthetic.