Studio Album · No. 10
Fleetwood Mac Songwriting Credits by Fleetwood Mac
Produced by Fleetwood Mac, Keith Olsen · Engineered by Keith Olsen
Holds writing credit on 10 of 11 tracks
Authorship Breakdown 10 / 11 documented
Scored across the 11 tracks with documented writers, by whether Fleetwood Mac carries a lyricist or composer credit.
Share of the 11 tracks where a band member is credited, by role.
By the Numbers
The 1975 self-titled album was the first to feature Lindsey Buckingham and Stevie Nicks, completing the band's classic lineup. The three songwriters Buckingham, Nicks, and Christine McVie each contributed, and it slowly climbed to number one a year after release, setting up Rumours.
Fleetwood Mac is the tenth studio album by Fleetwood Mac, released in July 1975 on Reprise Records and produced by Fleetwood Mac and Keith Olsen. It was the first album featuring Lindsey Buckingham and Stevie Nicks, who were added to the lineup after Christine and John McVie heard a demo tape and invited them to join as a pair, and the record that established the classic five-member lineup that would produce Rumours. Buckingham, Nicks, and Christine McVie each contributed original songs, establishing the three-songwriter dynamic that would define the band's commercial peak: McVie's pop-craft ('Over My Head,' 'Say You Love Me'), Nicks's mystical romanticism ('Rhiannon,' 'Landslide'), and Buckingham's more idiosyncratic guitar-pop constructions ('Monday Morning,' 'I'm So Afraid'). The album sold modestly on release but built steadily over an 18-month period, eventually reaching number one on the Billboard 200 as Rumours approached its February 1977 release, driven by the commercial momentum of three top-40 singles and the band's visibility as a touring act. 'Rhiannon' in particular established Nicks as a distinct commercial identity within the band, and her onstage interpretation of the track, with its extended vocal and physical performance, became one of the defining live moments of the arena rock era. The self-titled 1975 album is now regarded as the essential transition document between Fleetwood Mac's British blues origins and the California soft rock mainstream they would inhabit fully beginning with Rumours.