Studio Album · No. 6
Immortalized Songwriting Credits by Disturbed
Produced by Kevin Churko, Disturbed
Holds writing credit on 12 of 13 tracks
Authorship Breakdown 12 / 13 documented
Scored across the 13 tracks with documented writers, by whether Disturbed carries a lyricist or composer credit.
Share of the 13 tracks where a band member is credited, by role.
By the Numbers
Awards & Recognition 1
Immortalized was recorded as a trio, Draiman, Donegan, and Wengren, without bassist John Moyer. The acoustic cover of Simon & Garfunkel's The Sound of Silence, featuring only voice and orchestral strings with none of the band's heavy production, accumulated over one billion streams and earned a Grammy nomination.
Immortalized is the sixth studio album by Disturbed, released in August 2015 on Reprise Records and produced by Kevin Churko. It was the band's return after a four-year hiatus and the album that contained their breakthrough cover of Simon & Garfunkel's 'The Sound of Silence,' which became the most commercially significant recording of their career outside their own original material. Draiman wrote the original lyrics; the 'Sound of Silence' arrangement (solo voice over orchestral strings, without any of the band's signature heavy production) demonstrated a dramatic formal range that surprised audiences who had primarily associated Draiman's voice with metal and generated over 200 million YouTube views and eventually over one billion streams. The album debuted at number one on the Billboard 200 with 151,000 first-week sales and has been certified double platinum in the United States, largely driven by the sustained commercial impact of 'The Sound of Silence.' Immortalized represents the most commercially successful album of the band's second decade and the most discussed artistic expansion in their catalog. Immortalized is the most commercially significant album of Disturbed's second decade and the clearest evidence that a band known primarily within the hard rock genre could generate a cultural moment that transcended genre boundaries through a single unexpected interpretive choice.