Studio Album · No. 2
Ride the Lightning Songwriting Credits by Metallica
Produced by Flemming Rasmussen, Metallica, Mark Whitaker
Holds writing credit on 8 of 8 tracks
Authorship Breakdown 8 / 8 documented
Scored across the 8 tracks with documented writers, by whether Metallica carries a lyricist or composer credit.
Share of the 8 tracks where a band member is credited, by role.
By the Numbers
Ride the Lightning was produced by Metallica, Flemming Rasmussen, and Mark Whitaker at Sweet Silence Studios in Copenhagen, Denmark. The album marked a significant compositional leap from Kill 'Em All: "Fade to Black" introduced acoustic guitar to Metallica's sound (controversially, for some hardcore fans), while "For Whom the Bell Tolls" opened with Cliff Burton's unaccompanied bass. "The Call of Ktulu" was co-written with the then-recently fired Dave Mustaine, who retained a songwriting credit. No singles charted on the Billboard Hot 100. The album has sold 7 million copies in the United States and earned 7× Platinum RIAA certification.
Ride the Lightning is the second studio album by Metallica, released in July 1984 on Megaforce Records (and later Elektra in the United States) and produced by Flemming Rasmussen at Sweet Silence Studios in Copenhagen, Denmark, the album that expanded the band's compositional ambition beyond the pure aggression of the debut into more complex song structures, dynamic range, and lyrical depth. The album contains the first signs of the harmonic sophistication that would define Metallica's classic period, including the use of acoustic guitar passages ('Fade to Black,' 'Escape'), extended progressive structures ('The Call of Ktulu,' co-written with Dave Mustaine before his departure), and the eight-minute antiwar epic 'For Whom the Bell Tolls.' Hetfield and Ulrich wrote the majority of the material; 'The Call of Ktulu' carries a Mustaine co-writing credit and 'Ride the Lightning' credits Mustaine as a co-writer as well, reflecting his compositional contributions prior to his dismissal. 'Fade to Black', Metallica's first ballad-adjacent track, drew protests from a segment of their fanbase who considered the acoustic introduction a commercial compromise, a tension the band would navigate repeatedly throughout their career. Ride the Lightning is widely regarded as the first fully realized statement of Metallica's artistic ambition and confirmed Rasmussen as the right collaborator for the more complex recording they had planned.