Studio Album · No. 5
Metallica Songwriting Credits by Metallica
Produced by Bob Rock, James Hetfield, Lars Ulrich · Engineered by Randy Staub (engineering), George Marino (mastering)
Holds writing credit on 12 of 12 tracks
Authorship Breakdown 12 / 12 documented
Scored across the 12 tracks with documented writers, by whether Metallica carries a lyricist or composer credit.
Share of the 12 tracks where a band member is credited, by role.
By the Numbers
Awards & Recognition 1
Metallica (the Black Album) was produced by Bob Rock alongside James Hetfield and Lars Ulrich, a deliberately more commercial and accessible direction than the thrash metal complexity of ...And Justice for All. Bob Rock also mixed the album, with Randy Staub handling recording engineering and George Marino mastering. "Enter Sandman" reached number 16 on the Billboard Hot 100. The album spent 320 non-consecutive weeks on the Billboard 200, the most for any album in chart history, and sold over 30 million copies worldwide, making it the best-selling album of the SoundScan era. It has been certified 2× Diamond (20 million) in the United States and won Grammy Best Metal Performance at the 34th Grammy Awards in 1992.
Metallica, commonly known as the Black Album, is the fifth studio album by Metallica, released in August 1991 on Elektra Records and produced by Bob Rock alongside the band, a deliberate commercial pivot toward simplified song structures, mid-tempo grooves, and mainstream rock accessibility that made it the best-selling metal album of all time. The production collaboration with Rock, who had previously worked with Bon Jovi and Mötley Crüe, was controversial among longtime fans who saw it as a betrayal of the band's thrash roots; Hetfield and Ulrich later acknowledged that the change in approach was intentional and driven by a desire to reach a larger audience. Hetfield and Ulrich co-wrote all 12 tracks; Newsted and Hammett received no songwriting credits, a source of documented tension within the band that contributed to the internal dynamics that would eventually surface publicly during the 2004 documentary Some Kind of Monster. 'Enter Sandman,' 'The Unforgiven,' 'Nothing Else Matters,' and 'Wherever I May Roam' all became arena rock staples and introduced Metallica to listeners who had never engaged with the earlier thrash catalog. The Black Album has sold over 35 million copies worldwide, spent four years on the Billboard 200 after its release, and remains the foundation of Metallica's commercial identity, the album that transformed them from cult metal act into one of the highest-grossing touring bands in the world.