Acid Queen cover art

  Studio Album · No. 2

Acid Queen Songwriting Credits by Tina Turner

1975 United Artists 9 tracks 35 min

Produced by Denny Diante, Spencer Proffer, Ike Turner  ·  Engineered by Ron Malo

United Artists RockSoul
0%
Authorship
Singer / Performer

Holds writing credit on 0 of 9 tracks

Authorship Breakdown 0 / 9 documented

Who wrote the songs?

Scored across the 9 tracks with documented writers, by whether Tina Turner carries a lyricist or composer credit.

0%
0 trackswritten by Tina Turner 9 tracksoutside writers
Tina Turner's roles on this album

Share of the 9 tracks where a band member is credited, by role.

Lyricist0%
Composer0%
Producer0%
Performer100%

By the Numbers

9
Tracks
9
Lyricists
3
Producers
1975
Released
Data Insight

Acid Queen keeps Turner firmly in the interpreter's seat. The rock side is all covers, the Rolling Stones, Pete Townshend, and Led Zeppelin, and the soul side is given over to songs written by Ike Turner. Either way her name stays out of the writing credits. The split also shows the two pressures on her at this point, the new rock persona tied to her Tommy role and the older material still routed through Ike.

Acid Queen is the second solo studio album by Tina Turner, released in August 1975 and named for her role as the Acid Queen in the film version of The Who's Tommy. The first half is a hard-rock covers set, with Turner attacking songs by the Rolling Stones, Pete Townshend, and Led Zeppelin, while the second half features tracks written and produced by Ike Turner. Turner holds no writing credit anywhere on the album, a record built from Stones and Who material on one side and Ike Turner's songs on the other. It marked an attempt to position her as a rock interpreter ahead of her full solo break, and its Townshend covers tie directly to the Tommy role that raised her profile.

Track Listing & Credits 9 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
Under My Thumb
Mick JaggerKeith Richards Mick JaggerKeith Richards Denny DianteSpencer Proffer Tina Turner (Lead Vocals)
2
Let's Spend the Night Together
Mick JaggerKeith Richards Mick JaggerKeith Richards Denny DianteSpencer Proffer Tina Turner (Lead Vocals)
3
Acid Queen
Pete Townshend Pete Townshend Denny DianteSpencer Proffer Tina Turner (Lead Vocals)
4
I Can See for Miles
Pete Townshend Pete Townshend Denny DianteSpencer Proffer Tina Turner (Lead Vocals)
5
Whole Lotta Love
John BonhamWillie DixonJohn Paul JonesJimmy PageRobert Plant John BonhamWillie DixonJohn Paul JonesJimmy PageRobert Plant Denny DianteSpencer Proffer Tina Turner (Lead Vocals)
6
Baby, Get It On
Ike Turner Ike Turner Ike Turner Tina Turner (Lead Vocals)Ike Turner (Co-Lead Vocals)
7
Bootsey Whitelaw
Ike Turner Ike Turner Ike Turner Tina Turner (Lead Vocals)
8
Pick Me Tonight
Ike Turner Ike Turner Ike Turner Tina Turner (Lead Vocals)
9
Rockin' and Rollin'
Ike Turner Ike Turner Ike Turner Tina Turner (Lead Vocals)

Songwriter & Credit Spotlight 12 contributors

More from Tina Turner

Frequently Asked Questions Acid Queen

Did Tina Turner write any songs on Acid Queen?
No. The album has no Turner writing credit. Side one is covers of the Rolling Stones, Pete Townshend, and Led Zeppelin, and side two is made up of songs written by Ike Turner.
Why is the album called Acid Queen?
It is named for Turner's role as the Acid Queen in the 1975 film of The Who's rock opera Tommy, which the album's Pete Townshend covers reference.
Who produced Acid Queen?
Side one was produced by Denny Diante and Spencer Proffer, and the Ike Turner songs on side two were produced by Ike Turner.
What rock covers are on the album?
It includes 'Under My Thumb' and 'Let's Spend the Night Together' by the Rolling Stones, 'Acid Queen' and 'I Can See for Miles' by Pete Townshend, and Led Zeppelin's 'Whole Lotta Love.'
Is Ike Turner on the album?
Yes. Ike Turner wrote and produced the second side and shares lead vocals on 'Baby, Get It On.'
Where does Acid Queen sit in her solo career?
It is her second solo studio album, released a decade before her Private Dancer breakthrough, and one of her earliest moves toward a rock identity.

Sources