The Remedy cover art

  Studio Album · No. 6

The Remedy Songwriting Credits by Boyz II Men

2006 MSM Music Group 12 tracks 52 min

Produced by Babyface, Humberto Gatica, Bryan-Michael Cox

MSM Music Group R&BSoul
100%
Authorship
Complete Artist

Holds writing credit on 2 of 2 tracks · 10 not yet documented

Authorship Breakdown 2 / 2 documented

Who wrote the songs?

Scored across the 2 tracks with documented writers, by whether Boyz II Men carries a lyricist or composer credit.

100%
2 trackswritten by Boyz II Men 0 tracksoutside writers 10 trackswriters not documented
Boyz II Men's roles on this album

Share of the 12 tracks where a band member is credited, by role.

Lyricist17%
Composer17%
Producer8%
Performer100%

By the Numbers

12
Tracks
9
Lyricists
1
Producers
2006
Released
Data Insight

The Remedy was released initially in Japan in October 2006 through MSM Music Group (a territory where Boyz II Men had maintained a strong fanbase), with a US digital release following in February 2007. The limited release strategy reflected their reduced mainstream commercial standing in the domestic market. The album peaked at #16 on the Japanese Albums Chart and featured R&B and soul material that AllMusic described as emphasizing "their warm, romantic, low-key side." No significant US chart activity was recorded.

The Remedy is the sixth studio album by Boyz II Men, released in Japan in October 2006 on MSM Music Group, with a US digital release in February 2007, following the group's transition to a new label and a creative period during which they focused primarily on touring and their Las Vegas residency rather than studio recording. The group wrote or co-wrote several tracks; 'Beautiful Woman,' 'Thank You in Advance,' and 'More Than You'll Ever Know' were among the principal songs, with a production approach that maintained the smooth adult-contemporary framework of the catalog. The album received limited commercial chart performance relative to the peak years and reflected the niche commercial position the group had settled into: a dedicated adult-contemporary fanbase rather than mainstream pop dominance. The Remedy is primarily significant as documentation of the group's continued creative activity during the Las Vegas residency period. The Remedy nonetheless demonstrates the group's continued vocal refinement and their ability to bring genuine craft to adult-contemporary material that, while modest in commercial ambition, serves the specific audience who had maintained a relationship with the group across their extended career.

Track Listing & Credits 12 tracks

Written by the artist Written by outside writers
#TitleLyricist(s)Composer(s)Producer(s)Performers
1
Muzak
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
2
Gonna Have
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
3
Here I Come
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
4
The Perfect Love Song
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
5
Misunderstanding
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
6
Boo'ed Up
Nathan MorrisWanya MorrisShawn StockmanKenny HicksonDonnie Scantz Nathan MorrisWanya MorrisShawn StockmanKenny HicksonDonnie Scantz - Nathan Morris (Vocals)Wanya Morris (Lead Vocals)Shawn Stockman (Lead Vocals)Michael McCary (Bass Vocals)
7
You Don't Love Me
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
8
The Last Time
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
9
Just Like Me
Nathan MorrisWanya MorrisShawn StockmanWillie BakerPete WoodruffJulian BunettaChristopher KellyKenny Hickson Nathan MorrisWanya MorrisShawn StockmanWillie BakerPete WoodruffJulian BunettaChristopher KellyKenny Hickson Boyz II Men Nathan Morris (Vocals)Wanya Morris (Lead Vocals)Shawn Stockman (Lead Vocals)Michael McCary (Bass Vocals)
10
Crush
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
11
Ego
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)
12
Morning Love
Not documented - - Nathan Morris (Baritone Vocals)Wanya Morris (Tenor Vocals)Shawn Stockman (Tenor Vocals)

Songwriter & Credit Spotlight 11 contributors

More from Boyz II Men

Frequently Asked Questions The Remedy

Where was The Remedy by Boyz II Men first released?
The Remedy was first released in Japan in October 2006 through MSM Music Group, with a US digital release following in February 2007.
How did The Remedy chart internationally?
The Remedy peaked at #16 on the Japanese Albums Chart. No significant US Billboard chart positions are documented.
What genre is The Remedy by Boyz II Men?
The Remedy is an R&B and soul album, emphasizing Boyz II Men's vocal harmonies in a warm, romantic style.
Why was The Remedy released in Japan before the United States?
Boyz II Men maintained a stronger fanbase in Japan than in the domestic US market by 2006, making it commercially logical to release The Remedy there first. The album peaked at #16 on the Japanese Albums Chart.
When did Boyz II Men release The Remedy in the United States?
The Remedy was made available in the United States as a digital release in February 2007, several months after its October 2006 Japanese release.
Data note: Per-track writer credits are documented only for “Boo’ed Up” and “Just Like Me” (Genius). The other ten tracks (Muzak, Gonna Have, Here I Come, The Perfect Love Song, Misunderstanding, You Don’t Love Me, The Last Time, Crush, Ego, Morning Love) remain undocumented: Genius lists no writer_artists for them, the Wikipedia article has no track credits, Discogs release 4944334 (the only edition, a Japan release) lists only executive producers, and MusicBrainz release 09645484 carries no work relationships. The album is absent from Apple Music; ASCAP/BMI repertory lookups are bot-blocked.

Sources